Аннотация
Led by Emile Vuillermoz and Louis Delluc, between 1915 and 1919, French writing on the cinema developed into an autonomous discourse. Within that discourse there emerged a spectrum of "theories" of "narrative" film, a fascination with "description" through the concept of "photogenie" (later crucial to Andre Bazin and Jean Mitry), and alternative "musical", "plastic", and "poetic" "theories" of film construction.
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