Literacy cannot be seen as only a linguistic accomplishment anymore and there is no longer the close association between print and learning Multimodality can be seen as an eclectic approach modal affordances: what is possible to express easily. The metalanguage of multimodalities must be taught and understood, as choice of mode can affect pedagogic design and interpretation: the teacher's choice of mode shapes the knowledge or even interpretation. New possibilities.
ABSTRACT: The increasingly integrative use of images with language in many different types of texts in electronic and paper media has created an urgent need to go beyond logocentric accounts of literacy and literacy pedagogy. Correspondingly there is a need to augment the genre, grammar and discourse descriptions of verbal text as resourcesfor literacy pedagogy to include descriptions of the meaning-making resources of images. Some augmentation along these lines has involved the articulation of Hallidayan systemic functional descriptions of language, mainly focussed on verbal grammar, with the social semiotic descriptions of the meaning-making resources of images described in a grammar of visual design proposed by Kress and van Leeuwen. However, current research indicates that articulating discrete visual and verbal grammars is not sitfficient to account for meanings made at the intersection of language and image. This paper adopts a systemic functional semiotic perspective in outlining a range of different types of such meanings in different kinds of texts, suggesting the significance of such meanings in comprehending and composing contemporary multimodal texts, and the importance of developing an appropriate metalanguage to enable explicit discussion of these meaning- making resources by teachers and students.
There has tended to be an overemphasis on the teaching and analysis of the mode of writing in ‘academic literacies’ studies, even though changes in the communica- tion landscape have engendered an increasing recognition of the different semiotic dimensions of representation. This paper tackles the logocentrism of academic lit- eracies and argues for an approach which recognises the interconnection between different modes, in other words, a ‘multimodal’ approach to pedagogy and to theoris- ing communication. It explores multimodal ways of addressing unequal discourse resources within the university with its economically and culturally diverse student body. Utilising a range of modes is a way of harnessing the resources that the students bring with them. However, this paper does not posit multimodality as an alternative way of inducting students into academic writing practices. Rather, it explores what happens when different kinds of ‘cultural capital’ (Bourdieu, 1991) encounter a range of generic forms, modes and ways of presenting information. It examines how certain functions are distributed across modes in students’ texts in a first year engineering course in a South African university (specifically scientific discourse and student affect) and begins to problematise the visual/verbal distinction.
ABSTRACT: This article explores the emergence of multimodality as intrinsic to the learning, teaching and assessment of English in the Twenty-First Century. With subject traditions tied to the study of language, literature and media, multimodal texts and new technologies are now accorded overdue recognition in English curriculum documents in several countries, though assessment tends to remain largely print-centric. Until assessment modes and practices align with the nature of multimodal text production, their value as sites for inquiry in classroom practice will not be assured. The article takes up the question: What is involved in assessing the multimodal texts that students create? In exploring this question, we first consider central concepts of multimodality and what is involved in “working multimodally” to create a multimodal text. Here, “transmodal operation” and “staged multimodality” are considered as central concepts to “working multimodally”. Further, we suggest that these concepts challenge current understandings of the purposes of, and possibilities for, assessment of multimodal text production.
This paper reports on the second phase of a joint teacher/researcher project that explored teachers’ understandings of the potential of the interactive whiteboard (IWB) as a tool for primary school children’s collaborative group work. By examining teachers’ written analyses and discussions of work carried out in their own classrooms, the paper seeks to contribute to the debate about the ways in which the use of IWBs can contribute to changes in pedagogy. It highlights the interrelationships between collaborative learning and factors identified as important in the research carried out by teachers, amongst them the children’s technical skills and confidence, the mediating role of the teacher, the IWB affordances for knowledge‐building and the teachers’ own knowledge, attitudes and professional development. The paper also provides an account of how participation by the teachers in a course with Faculty staff, focused on the collaborative co‐construction of knowledge related to learning and to classroom research grounded in the values and principles of socio‐cultural theory, supported changes in pedagogic practice.
Second Life is a online 3D virtual world. Users assume an online identity - an "avatar" - to represent themselves within the Second Life community. The avatar can walk, run and fly in the virtual world, and can also communicate with other avatars using chat and instant messaging. The recent addition of high-quality audio offers clear benefits for the language learner. What differentiates Second Life from earlier virtual worlds is the lifelike rendering, which makes for a more richly immersive experience. The high-quality graphics, endlessly customizable avatars, together with real-life background noise (birds, wind, crashing waves) accentuate one's sense of telepresence.
This review outlines the key ethical issues with which visual researchers need to engage, drawing on literature from established visual researchers as well as practical illustrations from current research projects being undertaken within the National Centre for Research Methods (NCRM). Its focus is on the ethical issues associated with research using photographs, film and video images (created by researchers, respondents or others) rather than other visual methods. It is intended as an introduction to assist researchers in identifying what ethical issues might arise in undertaking visual research and how these might be addressed. The review commences with an outline of research ethics frameworks, professional guidance, regulation and legal rights and duties which, to varying degrees, shape visual researchers’ ethical decision making. It then goes on to explore the core ethical issues of consent, confidentiality and anonymity and discusses the ethical considerations that these raise with examples of how these can be managed. The paper concludes with a brief discussion of the ethical issues raised in relation to the construction and consumption of images. The authors stress the importance of researchers engaging with theories (or approaches) to research ethics in their ethical decision making in order to protect the reputation and integrity of visual research.
Relevant for MS teachers. Notion of intellectually challenging EAL students. Transformation of information impacts register. Scaffolding to encourage thinking.
In this paper
A focus on the reshaping of the entity „character‟ in the transformation of the novel Of
Mice and Men (Steinbeck, 1937), to CD-ROM (1996)- interesting but not as relevant to primary