The combinations of high and low musical languages in Mozart's "Die Zauberflöte" and Gershwin's "Porgy and Bess" are explored, and the ways that Duke Ellington's "jungle music" and South African popular music represent otherness are discussed.
%0 Journal Article
%1 middleton_musical_2000
%A Middleton, Richard
%D 2000
%J Berkeley
%K imported
%P 59--85
%T Musical belongings: Western music and its low-other
%X The combinations of high and low musical languages in Mozart's "Die Zauberflöte" and Gershwin's "Porgy and Bess" are explored, and the ways that Duke Ellington's "jungle music" and South African popular music represent otherness are discussed.
@article{middleton_musical_2000,
abstract = {The combinations of high and low musical languages in Mozart's {"Die} Zauberflöte" and Gershwin's {"Porgy} and Bess" are explored, and the ways that Duke Ellington's "jungle music" and South African popular music represent otherness are discussed.},
added-at = {2010-01-27T22:12:50.000+0100},
author = {Middleton, Richard},
biburl = {https://www.bibsonomy.org/bibtex/21f08437b4ef5a304c0e34fccba5ea885/bliek},
interhash = {b67a7fcc112c67dfb46ffff3bbc7aa1e},
intrahash = {1f08437b4ef5a304c0e34fccba5ea885},
journal = {Berkeley},
keywords = {imported},
pages = {59--85},
shorttitle = {Musical belongings},
timestamp = {2010-01-27T22:13:01.000+0100},
title = {Musical belongings: Western music and its low-other},
year = 2000
}