While small concept lattices are often represented by line diagrams to better understand their full structure, large diagrams may be too complex to do this. However, such a diagram may still be used to receive new ideas about the inherent structure of a concept lattice. This will be demonstrated for a certain family of formal contexts arising from mathematical musicology. In particular, we investigate how chord patterns can be characterised by their interval structure. For such contexts of pattern structures, it turns out that each corresponding concept lattice incorporates two competing building principles, one emanating from the top the other from the bottom of the lattice.
%0 Journal Article
%1 schlemmer/schmidt:2011
%A Schlemmer, Tobias
%A Schmidt, Stefan
%B CLA'08 -- Concept Lattices and their Applications
%D 2011
%I Springer Netherlands
%J Annals of Mathematics and Artificial Intelligence
%K 2010 journal publication schlemmer schmidt
%N 2
%P 241--256
%R 10.1007/s10472-010-9198-6
%T A formal concept analysis of harmonic forms and interval structures
%U http://dx.doi.org/10.1007/s10472-010-9198-6
%V 59
%X While small concept lattices are often represented by line diagrams to better understand their full structure, large diagrams may be too complex to do this. However, such a diagram may still be used to receive new ideas about the inherent structure of a concept lattice. This will be demonstrated for a certain family of formal contexts arising from mathematical musicology. In particular, we investigate how chord patterns can be characterised by their interval structure. For such contexts of pattern structures, it turns out that each corresponding concept lattice incorporates two competing building principles, one emanating from the top the other from the bottom of the lattice.
@article{schlemmer/schmidt:2011,
abstract = {While small concept lattices are often represented by line diagrams to better understand their full structure, large diagrams may be too complex to do this. However, such a diagram may still be used to receive new ideas about the inherent structure of a concept lattice. This will be demonstrated for a certain family of formal contexts arising from mathematical musicology. In particular, we investigate how chord patterns can be characterised by their interval structure. For such contexts of pattern structures, it turns out that each corresponding concept lattice incorporates two competing building principles, one emanating from the top the other from the bottom of the lattice.},
added-at = {2011-02-04T12:12:52.000+0100},
affiliation = {Technische Universität Dresden FR Mathematik, Institut für Algebra 01062 Dresden Germany},
author = {Schlemmer, Tobias and Schmidt, Stefan},
biburl = {https://www.bibsonomy.org/bibtex/22743ed00e53e46e3bf7732f9f0d181ef/algebradresden},
booktitle = {CLA'08 -- Concept Lattices and their Applications},
doi = {10.1007/s10472-010-9198-6},
interhash = {b5676f66921dfaf94316989f312350fc},
intrahash = {2743ed00e53e46e3bf7732f9f0d181ef},
issn = {1012-2443},
journal = {Annals of Mathematics and Artificial Intelligence},
keyword = {Computer Science},
keywords = {2010 journal publication schlemmer schmidt},
note = {10.1007/s10472-010-9198-6},
number = 2,
pages = {241--256},
publisher = {Springer Netherlands},
timestamp = {2011-08-03T11:13:14.000+0200},
title = {A formal concept analysis of harmonic forms and interval structures},
url = {http://dx.doi.org/10.1007/s10472-010-9198-6},
volume = 59,
year = 2011
}