This essay explores the benefits of utilizing non-scientificexamples and analogies in teaching philosophy of science courses. These examples can helpresolve two basic difficulties faced by most instructors, especially when teachinglower-level courses: first, they can prompt students to take an active interest in the classmaterial, since the examples will involve aspects of the culture well-known, or atleast more interesting, to the students; and second, these familiar, less-threatening exampleswill lessen the students' collective anxieties and open them up to learning thematerial more easily. To demonstrate this strategy of constructing and employing non-scientificexamples, a lengthy analogy between musical styles and Kuhn's theory ofscientific revolutions is developed.
%0 Journal Article
%1 Slowik:2003
%A Slowik, Edward
%D 2003/04/01/
%J Science & Education
%K Didaktik Musik Naturwissenschaft Philosophie
%N 3
%P 289--302
%R 10.1023/A:1024028517882
%T Myth, Music, and Science: Teaching the Philosophy of Science through the Use of Non-Scientific Examples
%U http://dx.doi.org/10.1023/A:1024028517882
%V 12
%X This essay explores the benefits of utilizing non-scientificexamples and analogies in teaching philosophy of science courses. These examples can helpresolve two basic difficulties faced by most instructors, especially when teachinglower-level courses: first, they can prompt students to take an active interest in the classmaterial, since the examples will involve aspects of the culture well-known, or atleast more interesting, to the students; and second, these familiar, less-threatening exampleswill lessen the students' collective anxieties and open them up to learning thematerial more easily. To demonstrate this strategy of constructing and employing non-scientificexamples, a lengthy analogy between musical styles and Kuhn's theory ofscientific revolutions is developed.
@article{Slowik:2003,
abstract = {This essay explores the benefits of utilizing non-scientificexamples and analogies in teaching philosophy of science courses. These examples can helpresolve two basic difficulties faced by most instructors, especially when teachinglower-level courses: first, they can prompt students to take an active interest in the classmaterial, since the examples will involve aspects of the culture well-known, or atleast more interesting, to the students; and second, these familiar, less-threatening exampleswill lessen the students' collective anxieties and open them up to learning thematerial more easily. To demonstrate this strategy of constructing and employing non-scientificexamples, a lengthy analogy between musical styles and Kuhn's theory ofscientific revolutions is developed.},
added-at = {2013-02-02T14:43:20.000+0100},
author = {Slowik, Edward},
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bdsk-url-1 = {http://dx.doi.org/10.1023/A:1024028517882},
biburl = {https://www.bibsonomy.org/bibtex/2c5793c6551a887e25037b72dc8b84f7a/ks-plugin-devel},
date-added = {2009-04-01 10:59:22 +0200},
date-modified = {2009-10-26 14:24:04 +0100},
day = 01,
doi = {10.1023/A:1024028517882},
groups = {public},
interhash = {68b74e9e55ba4e12340f5502fc6aa6b6},
intrahash = {c5793c6551a887e25037b72dc8b84f7a},
journal = {Science \& Education},
keywords = {Didaktik Musik Naturwissenschaft Philosophie},
m3 = {10.1023/A:1024028517882},
month = {04},
number = 3,
pages = {289--302},
timestamp = {2013-02-02T14:43:20.000+0100},
title = {Myth, Music, and Science: Teaching the Philosophy of Science through the Use of Non-Scientific Examples},
ty = {JOUR},
url = {http://dx.doi.org/10.1023/A:1024028517882},
username = {keinstein},
volume = 12,
year = {2003/04/01/}
}