Abstract
This article develops a novel approach to the relationship between
public space and democracy. It employs the concept of the spectacle to show
how public space can serve to destroy or weaken solidarity just as easily as
it can foster a democratic ethos of equality. A close reading of Rousseau’s
Letter to M. d’Alembert on the Theatre helps illuminate the political implications
of modern public life, which increasingly takes the form of passive
individuals assembling in order to view a spectacle. According to Rousseau,
spectacles like the theater are depoliticizing because they undermine the
opportunity for active participation and interaction with other citizens. By
habituating the audience to theatrical modes of self-presentation, they also
weaken the capacity for empathy. This article concludes by showing how
contemporary theorists including Sennett, Debord and Habermas also
contribute to our understanding of the concept of the spectacle.
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