Teil eines Buches,

Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film

, und .
Seite 127--148. Amsterdam University Press, Amsterdam, (2018)

Zusammenfassung

Perceptual shifts related to the technological conditions of film scholarship have shaped the analysis of film. Using a cross section of scholarship on Hitchcock dating back to the 1960s – as it represents a large, varied, and longitudinal data set – including the work of Robin Wood, Maurice Yacowar, William Rothman, Raymond Bellour, Stanley Cavell, Murray Pomerance, and Joe McElhaney, I demonstrate the ways that the film critic and scholar arrive at their analysis of films amidst new ages of technology – technology that enables and drastically alters the academic discourse on film.Viewing environments and operations available to film scholars throughout history,

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