Abstract
The article examines in terms of the text the transformation of terms in a work of art into a means of expressing art in connection with the idiolect of the writer. The use of terms in a single sense and their inability to perform an aesthetic function has been advanced in the scientific literature. In the article, the introduction of vertical and horizontal relations of terms in a work of art is interpreted in the example of the works of Askad Mukhtor.
Users
Please
log in to take part in the discussion (add own reviews or comments).