Abstract
This is a decentralized position paper on crypto art, which includes
viewpoints from different actors of the system: artists, collectors, galleries,
art scholars, data scientists. The writing process went as follows: a general
definition of the topic was put forward by two of the authors (Franceschet and
Colavizza), and used as reference to ask to a set of diverse authors to
contribute with their viewpoints asynchronously and independently. No
guidelines were offered before the first draft, if not to reach a minimum of
words to justify a separate section/contribution. Afterwards, all authors read
and commented on each other's work and minimal editing was done. Every author
was asked to suggest open questions and future perspectives on the topic of
crypto art from their vantage point, while keeping full control of their own
sections at all times. While this process does not necessarily guarantee the
uniformity expected from, say, a research article, it allows for multiple
voices to emerge and provide for a contribution on a common topic. The ending
section offers an attempt to pull all these threads together into a perspective
on the future of crypto art.
Users
This publication ist of type "preprint". To see comments and reviews from other users, you have to create your own comment or review for this post first.
Please
log in to take part in the discussion (add own reviews or comments).