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Conducting the in-between: improvisation and intersubjective engagement in soundpainted electro-acoustic ensemble performance.. Digit. Creativity, 29 (1): 68-81 (2018)A Technological and Methodological Ecosystem for Dynamic Virtual Acoustics in Telematic Performance Contexts., and . Audio Mostly Conference, page 169-174. ACM, (2021)Towards Accessible and Embodied Control of Telematic Sonic Space Through Browser-Based Facial Tracking., and . IS2, page 1-5. IEEE, (2023)Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives., , and . Comput. Music. J., 38 (3): 6-22 (2014)Mapping to musical actions in the FILTER system., , and . NIME, nime.org, (2012)Networked and Collaborative Musical Play Amongst Humans and Virtual Biological Agents in Locus Diffuse., and . CMMR, volume 13770 of Lecture Notes in Computer Science, page 94-110. Springer, (2021)Intergestura: a gestural agent based on sonic meditation practices., and . ICCC, page 256-260. Association for Computational Creativity (ACC), (2022)Towards Inclusive and Interactive Spaces for Breakdancing., and . ArtsIT, volume 422 of Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, page 189-206. Springer, (2021)Augmentation of Sonic Meditation Practices: Resonance, Feedback and Interaction Through an Ecosystemic Approach., and . CMMR, volume 12631 of Lecture Notes in Computer Science, page 591-599. Springer, (2019)Creativity and conducting: handle in the CAIRA project., , , , , , , , , and . Creativity & Cognition, page 319-320. ACM, (2011)