Three days later, when the police returned accompanied by experts from the French electricity board to see where the power was coming from, the phone and electricity lines had been cut and a note was lying in the middle of the floor: "Do not try to find u
n addition to his film work, Leacock is a superb essayist who, eschewing the stuffiness often found in theoretical writing for the cinema, presents opinions that are readable, enjoyable, and of tremendous importance for the filmmaker/auteur of today wishing to create in a seemingly very expensive world. We have chosen four essays which, we feel, represent "the essential Leacock". All bear his copyright. They are:
A shortlist of six films is made by the UK's leading critics, film-school heads and festival directors from the foreign language films released in that year in the UK. The winner is selected by a panel of judges whose decision making process is screened as part of the award ceremony, screened live on BBC Four.
The original image is titled the "CGI Effect Uncanny Valley", both in reference to the sharp dip over the last few years, and also as a nod to the real "uncanny valley" - the effect that makes robots or animated characters that are clearly not human acceptable to viewers, whereas those that appear almost real appear creepy.
Performing Arts in America 1875 -1923, a web site of The New York Public Library for the Performing Arts, captures a glimpse of this world. With visual and audio images drawn from the extensive archival collections at The Library, the site features an authentic look at this past, from the Broadway theater and Tin Pan Alley to the art of dancer Loie Fuller and composer Charles Griffes, all brought to you in original documents. Captured in the then new techniques of photography, recorded sound, and film, the performing arts of the early twentieth century come alive as never before, preserved by The New York Public Library and brought to you a century later via the Internet.
S. Cornelius, and I. Smith. Short cuts ; 11 ; Short cuts Wallflower, London ; New York, Repr. edition, (2004)Filmography: p. 121-125 ; includes bibliographical references (p. 126-133).