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Deriving security requirements from crosscutting threat descriptions.

, , and . AOSD, page 112-121. ACM, (2004)

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Learning to program: from problems to code., , , and . CEP, page 14:1-14:4. ACM, (2019)Early Identification of Problem Interactions: A Tool-Supported Approach., , , and . REFSQ, volume 5512 of Lecture Notes in Computer Science, page 74-88. Springer, (2009)A Parsimonious Cognitive Architecture for Human-Computer Interactive Musical Free Improvisation., , and . BICA, volume 196 of Advances in Intelligent Systems and Computing, page 219-224. Springer, (2012)Using Discovered, Polyphonic Patterns to Filter Computer-generated Music., , , and . ICCC, page 1-10. computationalcreativity.net, (2010)Video Analysis for Evaluating Music Interaction: Musical Tabletops., , , and . Music and Human-Computer Interaction, Springer, (2013)Security Requirements Engineering: A Framework for Representation and Analysis., , , and . IEEE Trans. Software Eng., 34 (1): 133-153 (2008)Using trust assumptions with security requirements., , , and . Requir. Eng., 11 (2): 138-151 (2006)A Subsumption Agent for Collaborative Free Improvisation., , , and . Computer Music Journal, 39 (4): 96-115 (2015)UniPad: orchestrating collaborative activities through shared tablets and an integrated wall display., , , and . UbiComp, page 801-810. ACM, (2013)Cross Entropy as a Measure of Musical Contrast., , and . MCM, volume 9110 of Lecture Notes in Computer Science, page 193-198. Springer, (2015)