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WAM-Studio: A Web-Based Digital Audio Workstation to Empower Cochlear Implant Users.

, , , and . INTERACT (1), volume 14142 of Lecture Notes in Computer Science, page 101-110. Springer, (2023)

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The Role of Vocal Persona in Natural and Synthesized Speech., , and . FG, page 1-4. IEEE, (2023)Imagined Musical Scale Relationships Decoded from Auditory Cortex., , , and . J. Cogn. Neurosci., 34 (8): 1326-1339 (2022)Designing Access in Sound Art Exhibitions: Centering Deaf Experiences in Musical Thinking., , , , and . CHI Extended Abstracts, page 380:1-380:8. ACM, (2023)Toward a Tool for Music Personalization for Cochlear Implant Users 149-151., , , , and . IUI Workshops, volume 3359 of CEUR Workshop Proceedings, page 149-151. CEUR-WS.org, (2023)Unspoken Sound: Identifying Trends in Non-Speech Audio Captioning on YouTube., , , , , , , and . CHI, page 57:1-57:19. ACM, (2024)BLIKSEM: An Acoustic Synthesis Fuzz Pedal., and . NIME, page 210-215. nime.org, (2019)WAM-Studio: A Web-Based Digital Audio Workstation to Empower Cochlear Implant Users., , , and . INTERACT (1), volume 14142 of Lecture Notes in Computer Science, page 101-110. Springer, (2023)Familiar Feelings: Listener-Rated Familiarity in Music Emotion Recognition., and . PKDD/ECML Workshops (2), volume 1168 of Communications in Computer and Information Science, page 446-453. Springer, (2019)The Role of Voice Persona in Expressive Communication: An Argument for Relevance in Speech Synthesis Design., , and . CoRR, (2022)Nerve Sensors in Inclusive Musical Performance., and . NIME, nime.org, (2021)