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The Topos of Music III: Gestures - Musical Multiverse Ontologies, Second Edition

, , , , , , and . Computational Music Science Springer, (2017)

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Musical Composition and Gestural Diagrams., and . MCM, volume 6726 of Lecture Notes in Computer Science, page 151-164. Springer, (2011)From a Categorical Point of View: K-nets as Limit Denotators, and . Perspectives of New Music, (2006)Diagrams, gestures and formulae in music, and . Journal of Mathematics and Music, 1 (1): 23--46 (March 2007)The Topos of Music I: Theory - Geometric Logic, Classification, Harmony, Counterpoint, Motives, Rhythm, Second Edition. Computational Music Science Springer, (2017)Functorial Semiotics for Creativity in Music and Mathematics, , , and . Computational Music Science Springer, (2022)Making Musical Time, , , , , and . Computational Music Science Springer, (2021)Gestural Shaping And Transformation In A Universal Space Of Structure And Sound., and . ICMC, Michigan Publishing, (2010)Computational Counterpoint Worlds - Mathematical Theory, Software, and Experiments, , and . Computational Music Science Springer, (2015)Hypergesture Homology for Performance Stemmata with Lie Operators.. MCM, volume 7937 of Lecture Notes in Computer Science, page 138-150. Springer, (2013)Die Bevormundung der Menschen durch Maschinen muss verhindert werden, and . Neue Zürcher Zeitung, (October 2020)