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Computational creativity infrastructure for online software composition: A conceptual blending use case.

, , , , , , , , , , , and . IBM J. Res. Dev., 63 (1): 9:1-9:17 (2019)

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Accessing movies based on emotional impact., , and . Multim. Syst., 19 (6): 559-576 (2013)Towards Generic Fitting using Discriminative Active Appearance Models Embedded on a Riemannian Manifold., and . VISAPP (2), page 363-369. INSTICC Press, (2010)Face Alignment Through 2.5D Active Appearance Models., , and . BMVC, page 1-12. British Machine Vision Association, (2010)Background Modelling on Tensor Field for Foreground Segmentation., , and . BMVC, page 1-12. British Machine Vision Association, (2010)Facial Expression Recognition Using Active Appearance Models., , and . VISAPP (2), page 123-129. INSTICC - Institute for Systems and Technologies of Information, Control and Communication, (2008)978-989-8111-21-0.DéjàVu: A Map of Code Duplicates on GitHub, , , , , , , and . Conference on Object-Oriented Programming Systems, Languages, and Applications, page 84. (October 2017)Continuous user identification in distance learning: a recent technology perspective., , , , , , , , and . Smart Learn. Environ., 10 (1): 38 (December 2023)A New Programming Model for Dependable Adaptive Real-Time Applications., , , and . IEEE Distributed Syst. Online, (2005)Contributions to the Completeness and Complementarity of Local Image Features. University of Coimbra, Portugal, (2014)Let's Figure This Out: A Roadmap for Visual Conceptual Blending., , and . ICCC, page 445-452. Association for Computational Creativity (ACC), (2020)