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Developing an Optical Brain-Computer Interface for Humanoid Robot Control.

, , , and . HCI (13), volume 9743 of Lecture Notes in Computer Science, page 3-13. Springer, (2016)

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Instrument Identification Informed Multi-Track Mixing., and . ISMIR, page 305-310. (2013)State of the Art Report: Music Emotion Recognition: A State of the Art Review., , , , , , , and . ISMIR, page 255-266. International Society for Music Information Retrieval, (2010)Analysis of a Contour-based Representation for Melody., , , and . ISMIR, (2000)Synthetic Emotions for Humanoids: Perceptual Effects of Size and Number of Robot Platforms., , , and . Int. J. Synth. Emot., 3 (2): 68-83 (2012)Feature selection for content-based, time-varying musical emotion regression., , and . Multimedia Information Retrieval, page 267-274. ACM, (2010)Robot audition and beat identification in noisy environments., , , and . IROS, page 2916-2921. IEEE, (2011)Sound and Interaction Design of an Augmented Drum System., , and . Audio Mostly Conference, page 2:1-2:4. ACM, (2017)Modeling musical rhythmatscale with the music Genome project., , , , and . WASPAA, page 1-5. IEEE, (2015)Using Audio and Haptic Feedback to Improve Pitched Percussive Instrument Performance in Humanoids., , , and . NIME, page 295-300. nime.org, (2013)A Component-Based Approach for Modeling Plucked-Guitar Excitation Signals., and . NIME, nime.org, (2012)