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Improvising through the senses: a performance approach with the indirect use of technology.

, , , and . Digit. Creativity, 29 (2-3): 149-164 (2018)

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Human-Sound Interaction: Towards a Human-Centred Sonic Interaction Design approach., , and . MOCO, page 14:1-14:4. ACM, (2020)Quantum GestART: Identifying and Applying Correlations between Mathematics, Art, and Perceptual Organization., , , and . CoRR, (2020)Quantum GestART: Identifying and Applying Correlations between Mathematics, Art, and Perceptual Organization, , , and . (2019)cite arxiv:2001.00001Comment: Accepted for publication, Journal of Mathematics and Music.Improvising through the senses: a performance approach with the indirect use of technology., , , and . Digit. Creativity, 29 (2-3): 149-164 (2018)Designing Gestures for Continuous Sonic Interaction., , , and . NIME, page 180-185. nime.org, (2019)Approaches to Visualising the Spatial Position of Sound-objects., and . EVA, BCS, (2016)MyoSpat: A hand-gesture controlled system for sound and light projections manipulation., , , , and . ICMC, Michigan Publishing, (2017)Building an Embodied Musicking Dataset for Co-creative Music-Making., , , , , , , , and . EvoMUSART, volume 14633 of Lecture Notes in Computer Science, page 373-388. Springer, (2024)Myo Mapper: a Myo armband to OSC mapper., , and . NIME, page 138-143. nime.org, (2018)Research Workshop 1: Explorations in sound and visual art., , , , and . EVA, BCS, (2020)