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The Dynamic Creativity of Proto-artifacts in Generative Computational Co-Creation 98-107.

, , и . IUI Workshops, том 3359 из CEUR Workshop Proceedings, стр. 98-107. CEUR-WS.org, (2023)

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George Sergiadis

Sergius

Scobioala Sergiu

René Sergio

Stefan Jorda

 

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Improvising with Computers: A personal Survey (1989-2001). Journal of New Music Research, 31 (1): 1--10 (2002)A Multi-Profile Method for Key Estimation in EDM., , и . Semantic Audio, Audio Engineering Society, (2017)An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis., , и . ISMIR, стр. 67-72. (2016)Towards Concurrent Multi-Tasking in Shareable Interfaces., и . Comput. Support. Cooperative Work., 24 (2-3): 79-108 (2015)Chasing real-time interaction in new media: towards a new theoretical approach and definition., , и . Digit. Creativity, 28 (3): 196-205 (2017)On stage: the reactable and other musical tangibles go real.. Int. J. Arts Technol., 1 (3/4): 268-287 (2008)Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception., , и . CMMR, том 9617 из Lecture Notes in Computer Science, стр. 449-463. (2015)Sonigraphical Instruments: From FMOL to the reacTable*.. NIME, стр. 70-76. Faculty of Music, McGill University, (2003)Listening to Your Brain: Implicit Interaction in Collaborative Music Performances., , , и . NIME, стр. 149-154. nime.org, (2011)The Dynamic Creativity of Proto-artifacts in Generative Computational Co-Creation 98-107., , и . IUI Workshops, том 3359 из CEUR Workshop Proceedings, стр. 98-107. CEUR-WS.org, (2023)