Author of the publication

Towards Explainable Music Emotion Recognition: The Route via Mid-level Features.

, , , and . ISMIR, page 237-243. (2019)

Please choose a person to relate this publication to

To differ between persons with the same name, the academic degree and the title of an important publication will be displayed. You can also use the button next to the name to display some publications already assigned to the person.

 

Other publications of authors with the same name

Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance., , , and . CoRR, (2024)Music Tempo Estimation Using Sub-Band Synchrony., , and . INTERSPEECH, page 3093-3096. ISCA, (2017)On Perceived Emotion in Expressive Piano Performance: Further Experimental Evidence for the Relevance of Mid-level Perceptual Features., and . ISMIR, page 128-134. (2021)Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance., , , and . FIRE, page 58-66. ACM, (2023)Emotion and Theme Recognition in Music with Frequency-Aware RF-Regularized CNNs., , , , and . CoRR, (2019)Receptive-Field Regularized CNNs for Music Classification and Tagging., , , , , and . CoRR, (2020)Two-level Explanations in Music Emotion Recognition., , and . CoRR, (2019)Towards Explaining Expressive Qualities in Piano Recordings: Transfer of Explanatory Features Via Acoustic Domain Adaptation., and . ICASSP, page 561-565. IEEE, (2021)Expressivity-aware Music Performance Retrieval using Mid-level Perceptual Features and Emotion Word Embeddings., and . FIRE, page 73-77. ACM, (2023)Emotion and Theme Recognition in Music with Frequency-Aware RF-Regularized CNNs., , , , and . MediaEval, volume 2670 of CEUR Workshop Proceedings, CEUR-WS.org, (2019)