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Music Interaction: Understanding Music and Human-Computer Interaction.

, , , and . Music and Human-Computer Interaction, Springer, (2013)

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Human Computer Interaction, , , , , and . Addison-Wesley, Wokingham, England, (1994)An Introduction to Aspect-Oriented Music Representation., , and . Computer Music Journal, 31 (4): 47-58 (2007)Direct Combination: A New User Interaction., , and . Mobile HCI, volume 2411 of Lecture Notes in Computer Science, page 108-122. Springer, (2002)Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills., , and . Music and Human-Computer Interaction, Springer, (2013)Towards a Participatory Approach for Interaction Design Based on Conceptual Metaphor Theory: A Case Study from Music Interaction., , and . Music and Human-Computer Interaction, Springer, (2013)Mobile HCI and Sound., , , and . Mobile HCI, volume 3160 of Lecture Notes in Computer Science, page 527-528. Springer, (2004)Patterns of Design., , , , , , and . EuroPLoP, page 22:1-22:11. ACM, (2018)Understanding Music Interaction, and Why It Matters., , , , and . New Directions in Music and Human-Computer Interaction, Springer, (2019)Reflective composition: the declarative composition of roles to unify objects, roles, and aspects.. OOPSLA Companion, page 224-225. ACM, (2004)From software user to software author: an initial pedagogy for introductory object-oriented computing., and . ITiCSE, page 60-62. ACM, (1996)