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Has Akira Always Been a Cyberpunk Comic?

. Arts, (2018)
DOI: 10.3390/arts7030032

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Anna-Laura de la Iglesia y Nikolaus

Dana de La Fontaine

Christian de La Motte

Véronique de La Giroday

Jork de La Fontaine

 

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Japanese Art in the Contact Zone: Between Orientalism and ‘Japansplaining’. Migrations in Visual Culture, стр. 45-54. Ljubljana, Ljubljana University Press, Faculty of Arts, (2018)Authorship, Collaboration, and Art Geography. CLCWeb: Comparative Literature and Culture, (2010)Art History, Japanese Popular Culture and the Tokyo 2020 Olympics. (2021)Geographical Classification in Comics. International Journal of Comic Art, 9 (2): 330-339 (2007)The Task of Manga Translation: Akira in the West. The Comics Grid: Journal of Comics Scholarship, (января 2016)Making Use of Pre-existing Street Art Object Metadata. document | archive | disseminate graffiti-scapes. Proceedings of the goINDIGO 2022 International Graffiti Symposium, стр. 175-187. (2023)Presence in Comics. Studies in Visual Arts and Communication, (декабря 2014)Early manga translations in the West: underground cult or mainstream failure?. Comics Forum 2013, Leeds, 21-22 November, (14.07.2014)Rezension: Triëdere Nr. 6. (28.01.2013)Theodor Fontanes Notizbücher. Konzept und Beispiele der genetisch-kritischen und kommentierten Hybrid-Edition., , и . DHd, (2014)