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Embracing the messy and situated practice of dance technology design.

, , , и . Conference on Designing Interactive Systems, стр. 1383-1397. ACM, (2023)

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Nabil Sarah

Amine Alaoui

Larbi Alaoui

Andrea Alaoui Soulimani

Rachid Lemrani-Alaoui

 

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Designing for Kinesthetic Awareness: Revealing User Experiences through Second-Person Inquiry., , , и . CHI, стр. 5171-5183. ACM, (2017)Dance interaction with physical model visuals based on movement qualities., , , и . Int. J. Arts Technol., 6 (4): 357-387 (2013)Is it Art, is it HCI? Exploring Tensions Between Practice and Research., , , , , , , , и . CHI Extended Abstracts, стр. 525:1-525:4. ACM, (2023)Making an Interactive Dance Piece: Tensions in Integrating Technology in Art.. Conference on Designing Interactive Systems, стр. 1195-1208. ACM, (2019)Physicalizing loops., и . Creativity & Cognition, стр. 465-477. ACM, (2023)Interactive Visuals as Metaphors for Dance Movement Qualities., , и . ACM Trans. Interact. Intell. Syst., 5 (3): 13:1-13:24 (2015)Understanding Kinaesthetic Creativity in Dance., , и . CHI, стр. 511. ACM, (2019)Cultivating kinaesthetic awareness through interaction: Perspectives from somatic practices and embodied cognition., , , и . MOCO, стр. 21:1-21:8. ACM, (2017)Articulating Experience: Reflections from Experts Applying Micro-Phenomenology to Design Research in HCI., , , и . CHI, стр. 1-14. ACM, (2020)Vocalizing dance movement for interactive sonification of laban effort factors., , , и . Conference on Designing Interactive Systems, стр. 1079-1082. ACM, (2014)