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Spotivibes: Tagging Playlist Vibes with Colors.

, , , , , , , and . IntRS@RecSys, volume 2450 of CEUR Workshop Proceedings, page 55-59. CEUR-WS.org, (2019)

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Hidden Author Bias in Book Recommendation., , , , and . CoRR, (2022)From Water Music to 'Underwater Music': Multimedia Soundtrack Retrieval with Social Mass Media Resources.. TPDL, volume 9819 of Lecture Notes in Computer Science, page 227-238. Springer, (2016)One deep music representation to rule them all? A comparative analysis of different representation learning strategies., , , and . Neural Comput. Appl., 32 (4): 1067-1093 (2020)Microtask Crowdsourcing for Music Score Transcriptions: An Experiment with Error Detection., , , , , and . ISMIR, page 901-907. (2020)Butter Lyrics Over Hominy Grit: Comparing Audio and Psychology-Based Text Features in MIR Tasks., , , , and . ISMIR, page 861-868. (2020)Detecting Drops in Electronic Dance Music: Content based approaches to a socially significant music event., , , and . ISMIR, page 143-148. (2014)Spotivibes: Tagging Playlist Vibes with Colors., , , , , , , and . IntRS@RecSys, volume 2450 of CEUR Workshop Proceedings, page 55-59. CEUR-WS.org, (2019)Expressivity in Musical Timing in Relation to Musical Structure and Interpretation: A Cross-Performance, Audio-Based Approach., , and . Semantic Audio, Audio Engineering Society, (2011)Music Information Technology and Professional Stakeholder Audiences: Mind the Adoption Gap., , , , , , , and . Multimodal Music Processing, volume 3 of Dagstuhl Follow-Ups, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, (2012)A dataset of multimedia material about classical music: PHENICX-SMM., , , , and . CBMI, page 1-4. IEEE, (2016)