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Stimulation of psychological listener experiences by semi-automatically composed electroacoustic environments., , , and . ICME, page 1051-1056. IEEE Computer Society, (2017)The ACII 2022 Affective Vocal Bursts Workshop & Competition: Understanding a critically understudied modality of emotional expression., , , , , , , and . CoRR, (2022)Audio-based Recognition of Bipolar Disorder Utilising Capsule Networks., , , , , , and . IJCNN, page 1-7. IEEE, (2019)Perception of Paralinguistic Traits in Synthesized Voices., , , , , and . Audio Mostly Conference, page 17:1-17:5. ACM, (2017)Can Deep Generative Audio be Emotional? Towards an Approach for Personalised Emotional Audio Generation., , and . MMSP, page 1-5. IEEE, (2019)A Physiologically-Adapted Gold Standard for Arousal during Stress., , , , , and . MuSe @ ACM Multimedia, page 69-73. ACM, (2021)Evaluating Deep Music Generation Methods Using Data Augmentation., , , , , and . MMSP, page 1-6. IEEE, (2021)The ACII 2022 Affective Vocal Bursts Workshop & Competition., , , , , , , and . ACIIW, page 1-5. IEEE, (2022)Sincerity in Acted Speech: Presenting the Sincere Apology Corpus and Results., , , and . INTERSPEECH, page 539-543. ISCA, (2019)Categorical vs Dimensional Perception of Italian Emotional Speech., , , , and . INTERSPEECH, page 3638-3642. ISCA, (2018)