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Capturing the workflows of music information retrieval for repeatability and reuse.

, , , , and . J. Intell. Inf. Syst., 41 (3): 435-459 (2013)

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Exploring early vocal music and its lute arrangements: Using F-TEMPO as a musicological tool., , and . DLfM, page 77-81. ACM, (2023)Semantics for Music Analysis through Linked Data: How Country is My Country?, , , , , and . eScience, page 41-48. IEEE Computer Society, (2010)Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval., , and . CMMR, volume 3902 of Lecture Notes in Computer Science, page 233-248. Springer, (2005)Abstracting Musical Queries: Towards a Musicologist's Workbench., , , and . CMMR, volume 3902 of Lecture Notes in Computer Science, page 249-258. Springer, (2005)Instrumental Idiom in the 16th Century: Embellishment Patterns in Arrangements of Vocal Music., , and . ISMIR, page 524-530. (2016)Evaluating OMR on the Early Music Online Collection., and . ISMIR, page 439-444. (2013)Reuse, Remix, Repeat: the Workflows of MIR., , , , and . ISMIR, page 409-414. FEUP Edições, (2012)The segment ontology: Bridging music-generic and domain-specific., , , and . ICME, page 1-6. IEEE Computer Society, (2011)Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment., , , , , , , , , and 2 other author(s). DLfM, page 84-88. ACM, (2019)Problems of music information retrieval in the real world., and . Inf. Process. Manag., 38 (2): 249-272 (2002)