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Cross-task learning for audio tagging, sound event detection and spatial localization: DCASE 2019 baseline systems., , , , , and . CoRR, (2019)Real-Time Beat-Synchronous Audio Effects., , and . NIME, page 344-345. nime.org, (2007)Discourse Analysis Evaluation Method for Expressive Musical Interfaces., , and . NIME, page 81-86. nime.org, (2008)Raw Multi-Channel Audio Source Separation using Multi- Resolution Convolutional Auto-Encoders., , and . EUSIPCO, page 1577-1581. IEEE, (2018)A Hierarchical Latent Mixture Model for Polyphonic Music Analysis., and . EUSIPCO, page 1910-1914. IEEE, (2018)Learning incoherent subspaces for classification via supervised iterative projections and rotations., and . MLSP, page 1-6. IEEE, (2013)On the disjointess of sources in music using different time-frequency representations., , , and . WASPAA, page 261-264. IEEE, (2011)Orthogonality-Regularized Masked NMF for Learning on Weakly Labeled Audio Data., , and . ICASSP, page 2436-2440. IEEE, (2018)Low-Complexity CNNs for Acoustic Scene Classification., and . DCASE, Tampere University, (2022)Large-Scale Weakly Supervised Audio Classification Using Gated Convolutional Neural Network., , , and . ICASSP, page 121-125. IEEE, (2018)