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Sound Event Localization and Detection for Real Spatial Sound Scenes: Event-Independent Network and Data Augmentation Chains.

, , , , , , and . DCASE, Tampere University, (2022)

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Performance Following: Real-Time Prediction of Musical Sequences Without a Score., and . IEEE Trans. Speech Audio Process., 20 (1): 190-199 (2012)Large-scale analysis of frequency modulation in birdsong databases., and . CoRR, (2013)Cross-task learning for audio tagging, sound event detection and spatial localization: DCASE 2019 baseline systems., , , , , and . CoRR, (2019)Real-Time Beat-Synchronous Audio Effects., , and . NIME, page 344-345. nime.org, (2007)Discourse Analysis Evaluation Method for Expressive Musical Interfaces., , and . NIME, page 81-86. nime.org, (2008)Automated Rhythmic Transformation of Musical Audio, , , and . Proc. of the 11th Int. Conference on Digital Audio Effects (DAFx-08), Espoo, Finland, (September 2008)The Medium is the Message: Composing Instruments and Performing Mappings, , , and . Proceedings of the International Conference on New Interfaces for Musical Expression, page 56--59. Oslo, Norway, (2011)Raw Multi-Channel Audio Source Separation using Multi- Resolution Convolutional Auto-Encoders., , and . EUSIPCO, page 1577-1581. IEEE, (2018)A Hierarchical Latent Mixture Model for Polyphonic Music Analysis., and . EUSIPCO, page 1910-1914. IEEE, (2018)Group Polytope Faces Pursuit for Recovery of Block-Sparse Signals., and . LVA/ICA, volume 7191 of Lecture Notes in Computer Science, page 255-262. Springer, (2012)