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Western Music and Its Others: Difference, Representation, and Riation in Music

, and . University of California Press, Berkeley, (2000)

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Workshop on Gender, Education, Creativity in Digital Music and Sound Art. Proceedings of the International Conference on New Interfaces for Musical Expression, and . Goldsmiths, University of London, (2014)Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning., , and . Comput. Music. J., 46 (4): 62-80 (Winter 2022)Sound Anthology: Content., , , , , , , , and . Comput. Music. J., 46 (4): 1 (Winter 2022)Sound and Video Anthology: Program Notes., , , and . Comput. Music. J., 46 (4): 112-116 (Winter 2022)Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain, and . Twentieth-Century Music, 12 (02): 135--172 (September 2015)Commonality in Recommender Systems: Evaluating Recommender Systems to Enhance Cultural Citizenship., , , and . CoRR, (2023)Logics of interdisciplinarity, , and . Economy & Society, 37 (1): 20-49 (2008)Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures.. Trans. Int. Soc. Music. Inf. Retr., 3 (1): 193-204 (2020)Measuring Commonality in Recommendation of Cultural Content to Strengthen Cultural Citizenship., , , and . Trans. Recomm. Syst., 2 (1): 10:1-10:32 (March 2024)Editors' Notes., , , and . Comput. Music. J., 46 (4): 5-6 (Winter 2022)