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Design of Recursive Digital Filters in Parallel Form by Linearly Constrained Pole Optimization.

, , and . IEEE Signal Process. Lett., 23 (11): 1547-1550 (2016)

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Digital modeling of string instrument bridge reflectance and body radiativity for sound synthesis by digital waveguides., , and . WASPAA, page 1-5. IEEE, (2015)Recent Research in Computer Music at CCRMA., , , , , , and . COMPCON, page 35-39. IEEE Computer Society, (1982)Watermarking parametric representations for synthetic audio., and . ICASSP (5), page 660-663. IEEE, (2003)Wave digital filter modeling of circuits with operational amplifiers., , , , and . EUSIPCO, page 1033-1037. IEEE, (2016)Physical Audio Signal Processing: for Virtual Musical Instruments and Digital Audio Effects. (2006)Design of Recursive Digital Filters in Parallel Form by Linearly Constrained Pole Optimization., , and . IEEE Signal Process. Lett., 23 (11): 1547-1550 (2016)Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments., , and . NIME, page 183-186. nime.org, (2009)Learning Sparse Feature Representations for Music Annotation and Retrieval., , , and . ISMIR, page 565-570. FEUP Edições, (2012)A Musical Instrument Based on a Bioacoustic Model of a Cicada., and . ICMC, Michigan Publishing, (2001)Qualitative and Quantitive Assessment of a Virtual Bowed String Instrument., , , and . ICMC, Michigan Publishing, (2000)