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Specifying software features for composition: A tool-supported approach.

, , , and . Comput. Networks, 57 (12): 2454-2464 (2013)

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UniPad: orchestrating collaborative activities through shared tablets and an integrated wall display., , , and . UbiComp, page 801-810. ACM, (2013)Cross Entropy as a Measure of Musical Contrast., , and . MCM, volume 9110 of Lecture Notes in Computer Science, page 193-198. Springer, (2015)From participatory to contributory simulations: changing the game in the classroom., , , and . CHI, page 49-58. ACM, (2012)Using the event calculus to reason about problem diagrams., , , , and . IWAAPF@ICSE, page 74-77. ACM, (2008)Learning to program: from problems to code., , , and . CEP, page 14:1-14:4. ACM, (2019)A Parsimonious Cognitive Architecture for Human-Computer Interactive Musical Free Improvisation., , and . BICA, volume 196 of Advances in Intelligent Systems and Computing, page 219-224. Springer, (2012)Early Identification of Problem Interactions: A Tool-Supported Approach., , , and . REFSQ, volume 5512 of Lecture Notes in Computer Science, page 74-88. Springer, (2009)Using Discovered, Polyphonic Patterns to Filter Computer-generated Music., , , and . ICCC, page 1-10. computationalcreativity.net, (2010)Specifying software features for composition: A tool-supported approach., , , and . Comput. Networks, 57 (12): 2454-2464 (2013)Deriving security requirements from crosscutting threat descriptions., , and . AOSD, page 112-121. ACM, (2004)