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Enhanced Bleedthrough Correction for Early Music Documents with Recto-Verso Registration.

, , , and . ISMIR, page 407-412. (2008)

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Encoding Performance Data in MEI with the Automatic Music Performance Analysis and Comparison Toolkit (AMPACT)., and . CoRR, (2023)A Study of Intonation in Three-Part Singing using the Automatic Music Performance Analysis and Comparison Toolkit (AMPACT)., , and . ISMIR, page 511-516. FEUP Edições, (2012)Reasonable Influences: The Advantages and Obstacles encountered with Commercial Software Packages used in Introductory Undergraduate Electronic Music Courses.. ICMC, Michigan Publishing, (2003)An evaluation of score-informed methods for estimating fundamental frequency and power from polyphonic audio., and . ICASSP, page 181-185. IEEE, (2017)Leveraging Expert Domain Knowledge to Learn a Representation of Symbolic Music.. DH, Alliance of Digital Humanities Organizations (ADHO), (2017)Theme And Variation Encodings with Roman Numerals (TAVERN): A New Data Set for Symbolic Music Analysis., , , and . ISMIR, page 728-734. (2015)Collaborative Song Dataset (CoSoD): An Annotated Dataset of Multi-Artist Collaborations in Popular Music., , and . ISMIR, page 71-79. (2023)Handling Asynchrony in Audio-Score Alignment., and . ICMC, Michigan Publishing, (2009)An Algorithmic Approach to Composing for Flexible Intonation Ensembles.. ICMC, Michigan Publishing, (2003)Enhanced Bleedthrough Correction for Early Music Documents with Recto-Verso Registration., , , and . ISMIR, page 407-412. (2008)