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Exploring melodic variance in rhythmic haptic stimulus design., , , and . Graphics Interface, page 133-140. ACM Press, (2009)Incorporating Haptics into the Theatre of Multimodal Experience design: and the Ecosystem this Requires.. ICMI, page 1-2. ACM, (2021)Evaluation of 3D Haptic Target Rendering to Support Timing in Music Tasks., and . NIME, page 19-24. nime.org, (2009)How do expert hapticians evaluate grounded force-feedback devices?, , , and . WHC, page 341. IEEE, (2021)A Multimodal Illusion of Force Improves Control Perception in Above-Surface Gesture: Elastic Zed-Zoom., , , and . EuroHaptics (1), volume 10893 of Lecture Notes in Computer Science, page 295-308. Springer, (2018)Designing Large Sets of Haptic Icons with Rhythm., and . EuroHaptics, volume 5024 of Lecture Notes in Computer Science, page 199-208. Springer, (2008)A first look at individuals' affective ratings of vibrations., and . World Haptics, page 605-610. IEEE, (2013)Improvising design with a Haptic Instrument., and . HAPTICS, page 327-332. IEEE, (2014)Perception of sound renderings via vibrotactile feedback., and . World Haptics, page 361-366. IEEE Computer Society, (2011)End-user customization of affective tactile messages: A qualitative examination of tool parameters., , and . HAPTICS, page 251-256. IEEE, (2014)