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Computational Models of Expressive Music Performance: The State of the Art, and . 33 (3): 203--216 (2004)Listen Here! A Web-native digital musicology environment for machine-assisted close listening., , , , and . DLfM, page 109-118. ACM, (2023)Influence of lamination parameters on mechanical properties of low temperature co-fired ceramic tapes., , , , and . Microelectron. Reliab., 51 (7): 1253-1256 (2011)The Vienna Philharmonic Orchestra's New Year's Concerts: Building a FAIR Data Corpus for Musicology., , , , , , and . DLfM, page 36-40. ACM, (2022)Read/Write Digital Libraries for Musicology., , , , , , and . DLfM, page 48-52. ACM, (2020)Visualizing changes in the structure of data for exploratory feature selection., , and . KDD, page 157-166. ACM, (2003)Real Time Tracking and Visualisation of Musical Expression., , and . ICMAI, volume 2445 of Lecture Notes in Computer Science, page 58-68. Springer, (2002)Pinpointing the beat: Tapping to expressive performances, and . 7th International Conference on Music Perception and Cognition, 1, (2002)Notes on the Music: A social data infrastructure for music annotation., , , , , , , , and . DLfM, page 23-31. ACM, (2021)The Äir Worm": an Interface for Real-Time manipulation of Expressive Music Performance., , and . ICMC, Michigan Publishing, (2005)