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MediaEval 2021: Emotion and Theme Recognition in Music Using Jamendo., , and . MediaEval, volume 3181 of CEUR Workshop Proceedings, CEUR-WS.org, (2021)How Much Metadata Do We Need in Music Recommendation? A Subjective Evaluation Using Preference Sets., and . ISMIR, page 97-102. University of Miami, (2011)Pre-Training Strategies Using Contrastive Learning and Playlist Information for Music Classification and Similarity., , , , , , and . ICASSP, page 1-5. IEEE, (2023)The Song Describer Dataset: a Corpus of Audio Captions for Music-and-Language Evaluation., , , , , , , , , and 3 other author(s). CoRR, (2023)Essentia.js: A JavaScript Library for Music and Audio Analysis on the Web., , , and . ISMIR, page 605-612. (2020)MediaEval 2018 AcousticBrainz Genre Task: A Baseline Combining Deep Feature Embeddings Across Datasets., , and . MediaEval, volume 2283 of CEUR Workshop Proceedings, CEUR-WS.org, (2018)Tensorflow Audio Models in Essentia., , , and . ICASSP, page 266-270. IEEE, (2020)Audio and Music Analysis on the Web using Essentia.js., , , , , and . Trans. Int. Soc. Music. Inf. Retr., 4 (1): 167-181 (2021)Ambiguity Modelling with Label Distribution Learning for Music Classification., , and . ICASSP, page 611-615. IEEE, (2022)Acoustic Scene Classification by Ensembling Gradient Boosting Machine and Convolutional Neural Networks., , , , , and . DCASE, page 37-41. (2017)