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Embedding creativity into digital resources: Improving information discovery for art history.

, , and . Digit. Scholarsh. Humanit., 37 (2): 469-482 (2022)

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Designing Interactive Reading Environments for the Online Scholarly Edition., , , , , , , , , and 8 other author(s). DH, page 35-40. Hamburg University Press, (2012)Codex Redux: books and new knowledge environments., , and . BooksOnline, page 29-32. ACM, (2008)UCLDH: Big Tent Digital Humanities in Practice., , , , , , and . DH, page 387-388. Stanford University Library, (2011)Framing the experience: a study of the history of interfaces to digital humanities projects.. DH, (2020)Embedding creativity into digital resources: Improving information discovery for art history., , and . Digit. Scholarsh. Humanit., 37 (2): 469-482 (2022)Aesthetic Appreciation And Spanish Art: Insights from Eye-Tracking., , , and . DH, Alliance of Digital Humanities Organizations (ADHO), (2017)Pointless Babble or Enabled Backchannel: Conference Use of Twitter by Digital Humanists., , , and . DH, page 214-216. Office for Humanities Communication and Centre for Computing in the Humanities, (2010)Evaluating Digital Humanities Resources: The LAIRAH Project Checklist and the Internet Shakespeare Editions Project., , , , and . ELPUB, page 297-306. (2007)Enhancing Museum Narratives: Tales of Things and UCL's Grant Museum., , , , and . DH, page 360-361. Stanford University Library, (2011)A Trip Around the World: Balancing Geographical Diversity in Academic Research Teams., , , , , and . DH, page 226-229. Stanford University Library, (2011)