( en | de | ru )

 

Disambiguation of "Klyne, Graham"

Author of the publication

copydeleteadd this publication to your clipboard
Building a Semantic Web Image Repository for Biological Research Images.

, , and . ESWC, volume 5021 of Lecture Notes in Computer Science, page 154-169. Springer, (2008)

Please choose a person to relate this publication to

To differ between persons with the same name, the academic degree and the title of an important publication will be displayed. You can also use the button next to the name to display some publications already assigned to the person.

Horst Klyne

Peter Klyne

Graham Wade

Graham Frost

Robert Graham

 

Other publications of authors with the same name

Resource Description Framework (RDF): Concepts and Abstract Syntax, and . Internet, (February 2004)Workflow-Centric Research Objects: A First Class Citizen in the Scholarly Discourse., , , , , , , , , and 8 other author(s). SePublica@ESWC, volume 903 of CEUR Workshop Proceedings, page 1-12. CEUR-WS.org, (2012)PROV-AQ: Provenance Access and Query, , , , , , , , and . World Wide Web Consortium (W3C), (2011)Contexts for RDF Information Modelling. (October 2000)Structuring research methods and data with the Research Object model: genomics workflows as a case study., , , , , , , , , and 9 other author(s). CoRR, (2013)Adventures in Semantic Publishing: Exemplar Semantic Enhancements of a Research Article, , , and . PLoS Comput Biol, 5 (4): e1000361 (2009)Research Objects for Audio Processing: Capturing Semantics for Reproducibility., , , , , , , and . Semantic Audio, Audio Engineering Society, (2014)Workflow forever: semantic web semantic models and tools for preserving and digitally publishing computational experiments, , , , , , , and . Proceedings of the 4th International Workshop on Semantic Web Applications and Tools for the Life Sciences, page 36--37. ACM, (2011)Why workflows break - Understanding and combating decay in Taverna workflows., , , , , , , , , and . eScience, page 1-9. IEEE Computer Society, (2012)Plans and performances: Parallels in the production of science and music., , , , , , and . eScience, page 185-192. IEEE Computer Society, (2016)