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Harnessing Phenotypic Diversity towards Multiple Independent Objectives.

, , and . GECCO (Companion), page 961-968. ACM, (2016)

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Synthesis and Transformation of Logic Programs in the Whelk Proof Development System.. JICSLP, page 351-365. MIT Press, (1992)How Many Beans Make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Systems., , and . ISMIR, page 73-76. Austrian Computer Society, (2007)Meta-Evaluating Quantitative Internal Evaluation: A Practical Approach for Developers., , , , and . ICCC, page 213-217. Association for Computational Creativity (ACC), (2021)ATEPP: A Dataset of Automatically Transcribed Expressive Piano Performance., , , , , and . ISMIR, page 446-453. (2022)Visualisation of live code., , , and . EVA, BCS, (2010)Representing Trees with Constraints., , and . Computational Logic, volume 1861 of Lecture Notes in Computer Science, page 315-325. Springer, (2000)Mollusc: A General Proof-Development Shell for Sequent-Based Logics., , , and . CADE, volume 814 of Lecture Notes in Computer Science, page 826-830. Springer, (1994)Formalizing Invariances for Content-based Music Retrieval., and . ISMIR, page 591-596. International Society for Music Information Retrieval, (2009)Methodological Considerations in Studies of Musical Similarity., , and . ISMIR, page 473-478. Austrian Computer Society, (2007)A Parallel Fusion Approach to Piano Music Transcription Based on Convolutional Neural Network., , , and . ICASSP, page 391-395. IEEE, (2018)