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You Only Hear Once: A YOLO-like Algorithm for Audio Segmentation and Sound Event Detection

, , and . (2021)cite arxiv:2109.00962Comment: 20 pages, 4 figures, 6 tables. Added more experimental validation.

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Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms., and . EvoApplications (2), volume 6025 of Lecture Notes in Computer Science, page 381-390. Springer, (2010)Constraint Application with Higher-Order Programming for Modeling Music Theories., and . Computer Music Journal, 34 (2): 25-38 (2010)Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies., , and . MOCO, page 100. ACM, (2014)Evolving musical performance profiles using genetic algorithms with structural fitness., and . GECCO, page 1833-1840. ACM, (2006)Toward Direct Brain-Computer Musical Interfaces., and . NIME, page 216-219. University of British Columbia, Media and Graphics Interdisciplinary Center (MAGIC), (2005)Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces., and . NIME, page 65-69. University of British Columbia, Media and Graphics Interdisciplinary Center (MAGIC), (2005)An Idiomatic Plucked String Player., , , and . FLAIRS, page 231-236. AAAI Press, (2006)Identifying music-induced emotions from EEG for use in brain-computer music interfacing., , , , , , , and . ACII, page 923-929. IEEE Computer Society, (2015)Musical interaction patterns: communicating computer music knowledge in a multidisciplinary project., , , , and . SIGDOC, page 199-206. ACM, (2010)Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control., , and . CMMR, volume 7900 of Lecture Notes in Computer Science, page 490-499. Springer, (2012)