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Analysing Asynchronous Collaboration., and . BCS HCI, page 239-254. Springer, (2000)Exploring visual stimuli as a support for novices' creative engagement with digital musical interfaces., , and . J. Multimodal User Interfaces, 16 (3): 343-356 (2022)An investigation into the comprehension of map information presented in audio., , , and . Interacción, page 29:1-29:8. ACM, (2015)ReImagining: Cross-cultural Co-Creation of a Chinese Traditional Musical Instrument with Digital Technologies., and . NIME, page 382-387. nime.org, (2020)Sketch-Based Musical Composition and Performance., , , and . NIME, page 569-572. nime.org, (2014)"What Is Human?" A Turing Test for Artistic Creativity., , and . EvoMUSART, volume 12693 of Lecture Notes in Computer Science, page 396-411. Springer, (2021)A Tool for Generating Controllable Variations of Musical Themes Using Variational Autoencoders with Latent Space Regularisation., , and . AAAI, page 16401-16403. AAAI Press, (2023)Demo hour., , , , , , , and . Interactions, 25 (1): 8-11 (2018)The LuminUs: Providing Musicians with Visual Feedback on the Gaze and Body Motion of Their Co-performers., , and . INTERACT (2), volume 9297 of Lecture Notes in Computer Science, page 47-54. Springer, (2015)Persistence in web based collaborations., , and . WWW (Special interest tracks and posters), page 910-911. ACM, (2005)