( en | de | ru )

 

Disambiguation of "Quan-Haase, Anabel"

Author of the publication

copydeleteadd this publication to your clipboard
The Influence of Features and Demographics on the Perception of Twitter as a Serendipitous Environment.

, and . HT, page 333-335. ACM, (2016)

Please choose a person to relate this publication to

To differ between persons with the same name, the academic degree and the title of an important publication will be displayed. You can also use the button next to the name to display some publications already assigned to the person.

Anabel Haase

Anabel Fandiño

Anabel Harting

Anabel Webering

Anabel Clemen

 

Other publications of authors with the same name

Revisiting the Privacy Paradox: Concerns and Protection Strategies in the Social Media Experiences of Older Adults., and . SMSociety, page 150-159. ACM, (2018)The networked question in the digital era: How do networked, bounded, and limited individuals connect at different stages in the life course?, , and . Netw. Sci., 8 (3): 291-312 (2020)Digital humanities: the continuing role of serendipity in historical research., and . iConference, page 456-458. ACM, (2012)Beyond the playlist: Looking at user-generated collocation of cultural products through social tagging., , , , , and . ASIST, volume 50 of Proc. Assoc. Inf. Sci. Technol., page 1-4. Wiley, (2013)Introduction to the 2018 International Conference on Social Media and Society., , , , , , , , and . SMSociety, page 1-4. ACM, (2018)Promoting serendipity online: recommendations for tool design., , and . iConference, page 525-526. ACM, (2012)Not all on the same page: e-book adoption and technology exploration by seniors., , and . Inf. Res., (2014)Social media and academic libraries: Current trends and future challenges., and . ASIST, volume 49 of Proc. Assoc. Inf. Sci. Technol., page 1-4. Wiley, (2012)Context and Intent in Call Processing., , , , , and . FIW, page 177-186. IOS Press, (2003)Digital inequalities 2.0: Legacy inequalities in the information age., , , , , , , , , and 16 other author(s). First Monday, (2020)