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Live Writing: Asynchronous Playback of Live Coding and Writing, and . Proceedings of the International Conference on Live Coding, (2015)Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions.. CMMR, volume 3310 of Lecture Notes in Computer Science, page 220-231. Springer, (2004)Automatic recognition of self-reported and perceived emotion: does joint modeling help?, , and . ICMI, page 217-224. ACM, (2016)Use the Force (or something) - Pressure and Pressure - Like Input for Mobile Music Performance., , and . NIME, page 182-185. nime.org, (2010)Scrubber: An Interface for Friction-induced Sounds., and . NIME, page 70-75. University of British Columbia, Media and Graphics Interdisciplinary Center (MAGIC), (2005)Recognizing emotion from singing and speaking using shared models., , and . ACII, page 139-145. IEEE Computer Society, (2015)Web-based temporal typography for musical expression and performance., and . NIME, page 65-69. nime.org, (2015)Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments., and . ICMC, Michigan Publishing, (1999)Android UI Deception Revisited: Attacks and Defenses., , , , , , and . Financial Cryptography, volume 9603 of Lecture Notes in Computer Science, page 41-59. Springer, (2016)Synthesizing sounds from physically based motion., , and . SIGGRAPH, page 529-536. ACM, (2001)