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On the Ontological Status of Plans and Norms., , and . Artif. Intell. Law, 12 (4): 317-357 (2004)Introduction to the Special Section on Computational Modeling and Understanding of Emotions in Conflictual Social Interactions., , , and . ACM Trans. Internet Techn., 20 (2): 8:1-8:5 (2020)Labyrinth 3D. Cultural archetypes for exploring media archives., and . Digit. Creativity, 27 (3): 234-255 (2016)Degari 2.0: A diversity-seeking, explainable, and affective art recommender for social inclusion, , , , and . Cognitive Systems Research, (2022)Visualization of Character's Intentions in Dramatic Media., , , and . CISIS, page 582-587. IEEE Computer Society, (2013)The DEEP Sensorium: a multidimensional approach to sensory domain labelling., , , , and . WWW (Companion Volume), page 661-668. ACM, (2023)Towards Advanced Interfaces for Citizen Curation., , , , , , , , , and 1 other author(s). AVI²CH@AVI, volume 2687 of CEUR Workshop Proceedings, CEUR-WS.org, (2020)Testing the Effectiveness of Narrative Archetypes for Archive Exploration., , and . AIIDE Workshops, volume WS-17 of AAAI Technical Report, AAAI Press, (2017)Drammar: A Comprehensive Ontological Resource on Drama., , and . ISWC (2), volume 11137 of Lecture Notes in Computer Science, page 103-118. Springer, (2018)Formal Encoding of Drama Ontology., , and . International Conference on Virtual Storytelling, volume 3805 of Lecture Notes in Computer Science, page 95-104. Springer, (2005)