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Haptic-enabled collaborative learning in virtual reality for schools.

, , , , , , , и . Educ. Inf. Technol., 27 (1): 937-960 (2022)

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Colin Barrett

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Natasha Karnatz

Natasha Sacks

Natasha Moser

 

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Deepening presence: probing the hidden artefacts of everyday soundscapes.. Audio Mostly Conference, стр. 77-84. ACM, (2020)Little Animals: Compositional Structuring Processes.. Computer Music Journal, 23 (2): 11-18 (1999)An Investigation of the Impact of Haptics for Promoting Understanding of Difficult Concepts in Cell Biology., , , , , , , и . OCCE, том 524 из IFIP Advances in Information and Communication Technology, стр. 197-206. Springer, (2018)A compositional methodology based on data extracted from natural phenomena.. ICMC, Michigan Publishing, (2000)The 'Virtualmonium': an instrument for classical sound diffusion over a virtual loudspeaker orchestra., и . NIME, стр. 55-60. nime.org, (2016)A Musical Journey towards Permanent High-Density Loudspeaker Arrays.. Computer Music Journal, 40 (4): 35-46 (2016)Genetic granular cognitive fuzzy neural networks and human brains for pattern recognition., , , и . GrC, стр. 172-175. IEEE, (2005)A Classroom Deployment of a Haptic System for Learning Cell Biology., , , , , , , и . EuroHaptics (2), том 10894 из Lecture Notes in Computer Science, стр. 379-389. Springer, (2018)Creating tangible spatial-musical images from physical performance gestures.. NIME, стр. 191-194. nime.org, (2015)Trends in electroacoustic music.. The Cambridge Companion to Electronic Music, Cambridge University Press, (2012)