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NIME or Mime: A Sound-First Approach to Developing an Audio-Visual Gestural Instrument., , and . NIME, page 315-320. nime.org, (2020)The AirSticks: a new instrument for live electronic percussion within an ensemble. University of Technology Sydney, Australia, (2018)'I & I, ' a new piece for the AirSticks: a new interface for electronic percussionists., , and . Creativity & Cognition, page 394-395. ACM, (2013)Explainable Computational Creativity., , , , , , and . ICCC, page 334-341. Association for Computational Creativity (ACC), (2020)Inclusive Improvisation: Exploring the Line between Listening and Playing Music., , , and . ACM Trans. Access. Comput., 15 (2): 9:1-9:21 (2022)Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools., and . NIME, nime.org, (2021)Explainable Computational Creativity., , , , , , and . CoRR, (2022)Inclusive improvisation through sound and movement mapping: from DMI to ADMI., and . ASSETS, page 49:1-49:8. ACM, (2020)Harmony across Music, Visuals and Movement in a New Audio-visual Gestural Performance., and . TEI, page 625-630. ACM, (2020)Choreography in the Mapping of New Instruments., and . Creativity & Cognition, page 161-164. ACM, (2015)