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A multi-sensor human gait dataset captured through an optical system and inertial measurement units.

, , , and . CoRR, (2021)

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Enriched Multimodal Representations of Music Performances: Online Access and Visualization., , , , , , and . IEEE Multim., 24 (1): 24-34 (2017)A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes., , , , and . IEEE Multim., 24 (1): 63-71 (2017)Noise-free haptic interaction with a bowed-string acoustic model., , , and . World Haptics, page 463-468. IEEE Computer Society, (2011)In-House Development of Paper Force Sensors for Musical Applications., , , and . Computer Music Journal, 38 (2): 22-35 (2014)Quantitative Analysis of Non-obvious Performer Gestures.. Gesture Workshop, volume 2298 of Lecture Notes in Computer Science, page 241-253. Springer, (2001)Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis., , , , and . Gesture Workshop, volume 5085 of Lecture Notes in Computer Science, page 48-56. Springer, (2007)The Vibropixels: A Scalable Wireless Tactile Display System., , and . HCI (3), volume 10273 of Lecture Notes in Computer Science, page 517-528. Springer, (2017)Staying Together: A Bidirectional Delay-Coupled Approach to Joint Action., , , and . Cogn. Sci., (2019)Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance, , , and . Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, page 68--73. Genoa, Associazione di Informatica Musicale Italiana, (October 1997)Haptic and audio interaction design., and . J. Multimodal User Interfaces, 14 (3): 231-233 (2020)