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Reflective Haptics: Resistive Force Feedback for Musical Performances with Stylus-Controlled Instruments

, , , and . Proceedings of the Tenth International Conference on New Interfaces for Musical Expression (Sydney, Australia, June 15 - 18, 2010). NIME '10., New York, ACM, (2010)

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Reflective haptics: haptic augmentation of GUIs through frictional actuation of stylus-based interactions, , , , and . Adjunct proceedings of the 23nd annual ACM symposium on User interface software and technology, page 383--384. New York, NY, USA, ACM, (2010)Reflective haptics: haptic augmentation of GUIs through frictional actuation of stylus-based interactions., , , , and . UIST (Adjunct Volume), page 383-384. ACM, (2010)Evaluation of Persona-Based User Scenarios in Vehicle Development., and . IHSED, volume 876 of Advances in Intelligent Systems and Computing, page 750-756. Springer, (2018)Skintimacy: Die elektrisierte Haut als Musikinterface., , and . MuC (Workshopband), page 225-229. Universitätsverlag Chemnitz, (2011)Reflective Haptics: Resistive Force Feedback for Musical Performances with Stylus-Controlled Instruments., , , and . NIME, page 477-478. nime.org, (2010)Designing Mobile Musical Instruments and Environments with urMus., and . NIME, page 76-81. nime.org, (2010)Kinetics of pressure induced structural changes in super- or near-critical CO2-microemulsions, , , , , , and . Phys. Chem. Chem. Phys., 16 (34): 18092-18097 (2014)Utilizing Tactile Feedback to Guide Movements Between Sounds., and . NIME, page 33-34. nime.org, (2009)Greifbare Beats: Exploratives Design mit dem Haptic Drum Toolkit., and . MuC (Workshopband), page 257-261. Universitätsverlag Chemnitz, (2011)Die deutschen Auswanderungs- Freizügigkeits- und Heimathsverhältnisse. Leipzig, (1841)