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Time-offset interaction with a holocaust survivor., , , , , , , , , and . IUI, page 163-168. ACM, (2014)Creating a life-sized automultiscopic Morgan Spurlock for CNNs "Inside Man"., , , , , , , and . SIGGRAPH Talks, page 2:1. ACM, (2014)Facial Cartography: Interactive Scan Correspondence., , , , , , , and . Symposium on Computer Animation, page 205-214. Eurographics Association, (2011)Driving high-resolution facial blendshapes with video performance capture., , , , , , , and . SIGGRAPH Talks, page 33:1. ACM, (2013)An automultiscopic projector array for interactive digital humans., , , , , , , , and . SIGGRAPH Emerging Technologies, page 6:1. ACM, (2015)Blendshapes from commodity RGB-D sensors., , , , , , , , and . SIGGRAPH Talks, page 33:1. ACM, (2015)Digital ira and beyond: creating real-time photoreal digital actors., , , , , and . SIGGRAPH Courses, page 1:1-1:384. ACM, (2014)Time-Offset Conversations on a Life-Sized Automultiscopic Projector Array., , , , , , , , , and . CVPR Workshops, page 927-935. IEEE Computer Society, (2016)Vuvuzela: a facial scan correspondence tool., , and . SIGGRAPH Posters, page 89. ACM, (2013)The Digital Emily project: photoreal facial modeling and animation., , , , and . SIGGRAPH Courses, page 12:1-12:15. ACM, (2009)