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Capturing the Visitor Profile for a Personalized Mobile Museum Experience: an Indirect Approach.

, , , , , , and . UMAP (Extended Proceedings), volume 1618 of CEUR Workshop Proceedings, CEUR-WS.org, (2016)

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Reverse engineering electronic services from e-forms to knowledge., , and . ICSOFT (1), page 273-278. INSTICC Press, (2006)Narralive - Creating and experiencing mobile digital storytelling in cultural heritage., , , , , and . CoRR, (2019)Choreomorphy: a whole-body interaction experience for dance improvisation and visual experimentation., , , and . AVI, page 27:1-27:9. ACM, (2018)Using Spreading Activation through Ontologies to Support Personal Information Management., , and . CSKGOI, volume 323 of CEUR Workshop Proceedings, CEUR-WS.org, (2008)Ευφυές περιβάλλον διαχείρισης εγγράφων Ιστορικού Αρχείου. National and Kapodistrian University of Athens, Greece, (2009)National Archive of PhD Theses: oai:10442/18275.The CHESS Project: Adaptive Personalized Storytelling Experiences in Museums., , , , , and . UMAP Workshops, volume 1181 of CEUR Workshop Proceedings, CEUR-WS.org, (2014)Social bots of conviction as dialogue facilitators for history education: Promoting historical empathy in teens through dialogue., , , , , and . IDC, page 326-337. ACM, (2021)MagicARTs: On the Design of Social VR Experiences., , , and . AVI²CH, volume 3243 of CEUR Workshop Proceedings, CEUR-WS.org, (2022)"Show your cards!": What do creators need for the game design process?, , and . FDG, page 60:1-60:6. ACM, (2023)Transformation through Provocation?, , , , , and . CHI, page 627. ACM, (2019)