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Being (A)part of NIME: Embracing Latin American Perspectives., , , , , , , , , and 3 other author(s). NIME, nime.org, (2022)Articulating Soma Experiences using Trajectories., , , , , , , , , and 4 other author(s). CHI, page 268:1-268:16. ACM, (2021)The Problem of DMI Adoption and Longevity: Envisioning a NIME Performance Pedagogy., and . NIME, page 190-195. nime.org, (2018)An AI-Based Design Framework to Support Musicians' Practices., , , , and . Audio Mostly Conference, page 42:1-42:5. ACM, (2018)Encumbered Interaction: a Study of Musicians Preparing to Perform., , , , and . CHI, page 476. ACM, (2019)Mobility and Utility in Robot Mediated Interaction: An Interactive Workshop for the Identification of Use Cases and Affordances of Telepresence Robots., , , , , , , and . MobileHCI (Companion), page 34:1-34:5. ACM, (2023)Improvising a Live Score to an Interactive Brain-Controlled Film., , , , , and . NIME, page 31-36. nime.org, (2019)Augmenting Guitars for Performance Preparation., , , and . Audio Mostly Conference, page 69-75. ACM, (2019)Demo hour., , , , , , , , , and 3 other author(s). Interactions, 26 (4): 8-11 (2019)Soma Design for NIME., , , , , , , and . NIME, page 489-494. nime.org, (2020)