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Digital representation and multimodal presentation of archeological graffiti at Pompei., , , , , , , , , and . VAST, page 93-103. Eurographics Association, (2004)Using 3D Digital Technologies in the Restoration of the Madonna of Pietranico., , and . ERCIM News, (2011)Developing and Maintaining a Web 3D Viewer for the CH Community: an Evaluation of the 3DHOP Framework., , and . GCH, page 169-178. Eurographics Association, (2018)Social and hUman ceNtered XR., , , , , , , , , and . Ital-IA, volume 3486 of CEUR Workshop Proceedings, page 48-53. CEUR-WS.org, (2023)Exploiting Mirrors for Laser Stripe 3D Scanning., , , and . 3DIM, page 243-250. IEEE Computer Society, (2003)MeshLab: an Open-Source Mesh Processing Tool., , , , , and . Eurographics Italian Chapter Conference, page 129-136. Eurographics, (2008)Automatic Selection of Video Frames for Path Regularization and 3D Reconstruction., , , and . GCH, page 1-10. Eurographics Association, (2016)Artifacts Removal for Color Projection on 3D Models using Flash Light., , , , and . VAST, page 77-84. Eurographics Association, (2009)The Dream and the Cross: A 3D Scanning Project to Bring 3D Content in a Digital Edition., , , , , and . ACM Journal on Computing and Cultural Heritage, 8 (1): 5:1-5:21 (2015)Ebb & Flow: Uncovering Costantino Nivola's Olivetti Sandcast through 3D Fabrication and Virtual Exploration., , , , , , , , , and 2 other author(s). GCH, page 85-94. Eurographics Association, (2022)